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Jug Songs: Acoustic Enclosure from Ovid to Eliot

Accepted version
Peer-reviewed

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Type

Article

Change log

Authors

Dukes, Hunter 

Abstract

jats:titleAbstract</jats:title> jats:pPhilomela holds a privileged place in Euro-American poetry. Tracking the nightingales in Ovid, Marie de France, Gascoigne, Shakespeare, Milton, Coleridge, and Elizabeth Barrett Browning reveals a new dimension of an old trope. Frequently paired with images of architectural and bodily containment, the nightingale’s song mediates between sound and space. This article builds on Michel Serres, Gilles Deleuze, and Félix Guattari, who use the bird to think about enclosure (sonic, spatial) and territorial possession. Nesting T. S. Eliot’s nightingales within a wider context clarifies other kinds of containment in “A Game of Chess” from The Waste Land, resolving some of the section’s enduring ambiguity concerning images of vacuity and the disembodied voice. Ultimately, this article contributes to debates in lyric studies, arguing for a reappraisal of the nightingale in comparative verse history.</jats:p>

Description

Keywords

47 Language, Communication and Culture, 4705 Literary Studies

Journal Title

Comparative Literature

Conference Name

Journal ISSN

0010-4124
1945-8517

Volume Title

72

Publisher

Duke University Press

Rights

All rights reserved