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Three Questions concerning Consonance Perception

Accepted version
Peer-reviewed

Type

Article

Change log

Authors

Harrison, PMC 

Abstract

jats:pI discuss three fundamental questions underpinning the study of consonance: 1) What features cause a particular chord to be perceived as consonant? 2) How did humans evolve the ability to perceive these features? 3) Why did humans evolve to attribute particular aesthetic valences to these features (if they did at all)? The first question has been addressed by several recent articles, including Friedman, Kowalewski, Vuvan, and Neill (2021), with the common conclusion that consonance in Western listeners is driven by multiple features such as harmonicity, interference between partials, and familiarity. On this basis, it seems relatively straightforward to answer the second question: each of these consonance features seems to be grounded in fundamental aspects of human auditory perception, such as auditory scene analysis and auditory long-term memory. However, the third question is harder to resolve. I describe several potential answers, and argue that the present evidence is insufficient to distinguish between them, despite what has been claimed in the literature. I conclude by discussing what kinds of future studies might be able to shed light on this problem.</jats:p>

Description

Keywords

36 Creative Arts and Writing, 5204 Cognitive and Computational Psychology, 5205 Social and Personality Psychology, 3603 Music, 52 Psychology, 1.2 Psychological and socioeconomic processes, 1 Underpinning research, Mental health

Journal Title

Music Perception

Conference Name

Journal ISSN

0730-7829
1533-8312

Volume Title

38

Publisher

University of California Press

Rights

All rights reserved