Drum Training
| dc.contributor.author | Riley-Smith, Tristram | |
| dc.coverage.spatial | Patan, Nepal | en_GB |
| dc.coverage.temporal | 1980 | en_GB |
| dc.date.accessioned | 2010-10-05T10:14:37Z | |
| dc.date.available | 2010-10-22T13:31:09Z | |
| dc.date.issued | 1980-07-20 | |
| dc.identifier.uri | http://www.dspace.cam.ac.uk/handle/1810/226718 | |
| dc.description | Naresh visits again this morning. More v interesting info learnt. I persuade him to chant one of the drum sequences he’s learnt, which I tape: called Deo Layagu it is to be played outside a shrine (as opposed to the longer “Chore” which is played on processions through the town). I try to quiz him on different sounds and their relation to different beats: “khin” and “kha” refer to striking the drum with a stick as held in the left hand; “Ta” = a slap with the right hand with fingers splayed open (on one point of drum face – Naresh can’t remember whether it’s at the centre or the side); while “NURRA” refers to a finger run (a 4-hit tattoo using index finger first through to little finger last). | en_GB |
| dc.description.abstract | A chant of a drum sequence called Deo Layagu. | en_GB |
| dc.language.iso | other | en_GB |
| dc.publisher | World Oral Literature Project | en_GB |
| dc.rights | All Rights Reserved | en |
| dc.rights.uri | https://www.rioxx.net/licenses/all-rights-reserved/ | en |
| dc.subject | Drumming | en_GB |
| dc.subject | Vocalised Drumming | en_GB |
| dc.subject | Nepal | en_GB |
| dc.subject | Nepalese | en_GB |
| dc.subject | Patan | en_GB |
| dc.subject | Buddhist | en_GB |
| dc.subject | Oral Tradition | en_GB |
| dc.subject | Oral Literature | en_GB |
| dc.subject | Linguistic Anthropology | en_GB |
| dc.subject | Newari | en_GB |
| dc.title | Drum Training | en_GB |
| dc.type | Audio | en_GB |
| dc.rights.general | Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported | en_GB |
