Stephen Dedalus and Nationalism without Nationalism
Journal of Modern Literature
Indiana University Press
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Stević, A. (2016). Stephen Dedalus and Nationalism without Nationalism. Journal of Modern Literature
While recent critics have often downplayed the significance of Joyce’s attack on the Gaelic Revival in A Portrait of the Artist as a Young Man, the novel actually enacts nothing less than a systematic repudiation of nationalist tropes from the position of liberal cosmopolitanism. As a detailed comparison of Joyce’s text with the turn of the century revivalists discourse shows, A Portrait undermines each of the key revivalist preoccupations (including both linguistic nationalism and ethnic essentialism), finally deconstructing the project of nation building in toto. This radical critique of nationalism suggests that, after twenty years in which Joyce studies have been dominated by attempts to displace the once dominant vision of Joyce as an apolitical and internationalist aesthete with a version of Joyce as, above all, a colonial Irish intellectual, it is time to once again take his commitment to aestheticism and cosmopolitanism seriously.
James Joyce, A Portrait of the Artist as a Young Man, nationalism, cosmopolitanism, aestheticism, Gaelic revival
This record's URL: https://www.repository.cam.ac.uk/handle/1810/254315