The Zambra, Tourism and Discourses of Authenticity in Granada’s Flamenco Scene
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Peer-reviewed
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Machin-Autenrieth, Matthew https://orcid.org/0000-0002-6771-5612
Abstract
The zambra is a genre and context of flamenco unique to the Gitano (Gypsy) neighbourhood of Sacromonte (Granada), which throughout its historical development has been closely intertwined with tourism. Framed by recent musical and social change in the zambra, this article examines debates regarding tourism, authenticity, and local heritage in Sacromonte. Previous research has focused on the economic and institutional dimensions of flamenco tourism with little consideration of local discourses. This article interrogates a static notion of “staged authenticity,” instead focusing on the dynamic and contested relationship between music and tourism in the context of local musical practice.
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MUSICultures
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43
Publisher
The Canadian Society for Traditional Music
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Sponsorship
Isaac Newton Trust (Minute 1408(i))
Leverhulme Trust (ECF-2014-509)
Leverhulme Trust (ECF-2014-509)
This research was made viable through a doctoral studentship at the School of Music. Finally, I would like to thank the Leverhulme Trust for my current fellowship, which has enabled me to write up this research.