Martin Peerson and Greville’s Caelica’
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Peer-reviewed
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Authors
Alexander, GR
Abstract
This article assesses the relations between Martin Peerson’s Mottects or Grave Chamber Musique (1630) and Fulke Greville’s lyric sequence Caelica.1 It focuses on two particular questions: what kind of an interpretation or repackaging of Caelica does Peerson offer us? and what can we learn about the nature and date of Peerson’s access to Greville’s poems from the text of Peerson’s songs?
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Journal Title
Sidney Journal
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Volume Title
35
Publisher
International Sidney Society