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dc.contributor.authorFreer, Alexander Williamen
dc.date.accessioned2017-05-19T14:38:37Z
dc.date.available2017-05-19T14:38:37Z
dc.date.issued2018-10-01en
dc.identifier.issn0190-0013
dc.identifier.urihttps://www.repository.cam.ac.uk/handle/1810/264319
dc.description.abstractThe figures of veils in Shelley’s poetics have long been understood as an inconsistent and potentially confused contribution to a debate between representational and expressive accounts of language. However, Shelley’s veils are crucial to a broader range of aesthetic and ethical questions in his poetics, and when read alongside the related figures of clothing, armor, uniform, dress and draped curtain, these vestimentary figures underwrite some of the most ambitious of Shelley’s claims: that poetry is infinite and yet tangible, that it contains “eternal truth” while existing within a historical context, and that it does not compete with but underwrites the work of reason.
dc.language.isoenen
dc.publisherJohns Hopkins University Press
dc.titleShelley’s Vestimentary Poeticsen
dc.typeArticle
prism.publicationDate2018en
prism.publicationNamePhilosophy and Literatureen
dc.identifier.doi10.17863/CAM.9786
dcterms.dateAccepted2017-03-01en
rioxxterms.versionofrecord10.1353/phl.2018.0020en
rioxxterms.versionAMen
rioxxterms.licenseref.urihttp://www.rioxx.net/licenses/all-rights-reserveden
rioxxterms.licenseref.startdate2018-10-01en
dc.identifier.eissn1086-329X
rioxxterms.typeJournal Article/Reviewen
cam.issuedOnline2018-11-15en
cam.orpheus.successWed Apr 01 08:13:11 BST 2020 - Embargo updated*
cam.orpheus.counter2*
rioxxterms.freetoread.startdate2018-10-01


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