Starting off from Makeham’s (2003) differentiation between historical meaning and scriptural meaning, Huang’s (2011) citation of coherence theories and Xu’s (2002; 2004a; 2004b) embodimental reading by rejecting Western logos, this paper takes a perspective shift from verbal-static to visual-dynamic to study the structure of The Analects of Confucius. While a sheer verbal-static reading of the Lun Yu is doomed to the extremities of either praising its structure into the heaven or damning it into the hell, and to the ambiguity to argue that its structure is neither very coherent nor quite chaotic, a new perspective from verbal-static to visual-dynamic might lead to a view that the compilers of the Lun Yu actually take a reverse thinking in compiling this historic classics by segmenting and quantifying. (Mcluhan,1962,1964) Confucius’ thoughts into bricks and tiles scattering here and there, which induces careful readers to reconstruct for themselves Confucius’ systemic TEMPLE composed of key notion windmills centering round how to be a Junzi by constant recitation, visualization and interpretation based on Gestalt cognition principles of spontaneous similarity, proximity and continuation