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dc.contributor.authorCheong, Wai-Ling
dc.date.accessioned2018-10-16T13:14:13Z
dc.date.available2018-10-16T13:14:13Z
dc.date.issued1991-01-29
dc.identifier.otherPhD.16694
dc.identifier.otherPhD.16695
dc.identifier.urihttps://www.repository.cam.ac.uk/handle/1810/283672
dc.descriptionThis thesis is not available on this repository until the author agrees to make it public. If you are the author of this thesis and would like to make your work openly available, please contact us: thesis@repository.cam.ac.uk.
dc.descriptionThe Library can supply a digital copy for private research purposes; interested parties should submit the request form here: http://www.lib.cam.ac.uk/collections/departments/digital-content-unit/ordering-images
dc.descriptionPlease note that print copies of theses may be available for consultation in the Cambridge University Library's Manuscript reading room. Admission details are at http://www.lib.cam.ac.uk/collections/departments/manuscripts-university-archives
dc.rightsAll Rights Reserveden
dc.rights.urihttps://www.rioxx.net/licenses/all-rights-reserved/en
dc.titleThe late Scriabin: pitch organisation and form in the works of 1910-14
dc.typeThesis
dc.type.qualificationlevelDoctoral
dc.type.qualificationnameDoctor of Philosophy (PhD)
dc.publisher.institutionUniversity of Cambridge
dc.publisher.departmentFaculty of Music
dc.identifier.doi10.17863/CAM.31041


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