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dc.contributor.authorTobe, Renée
dc.date.accessioned2018-10-17T08:52:56Z
dc.date.available2018-10-17T08:52:56Z
dc.date.issued2003-11-25
dc.identifier.otherPhD.26868
dc.identifier.urihttps://www.repository.cam.ac.uk/handle/1810/284026
dc.descriptionThis thesis is not available on this repository until the author agrees to make it public. If you are the author of this thesis and would like to make your work openly available, please contact us: thesis@repository.cam.ac.uk.
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dc.descriptionPlease note that print copies of theses may be available for consultation in the Cambridge University Library's Manuscript reading room. Admission details are at http://www.lib.cam.ac.uk/collections/departments/manuscripts-university-archives
dc.rightsAll Rights Reserveden
dc.rights.urihttps://www.rioxx.net/licenses/all-rights-reserved/en
dc.titleMimesis and the dialogue between architecture and film, with particular reference to Joseph Losey's The Servant and Michelangelo Antonioni's Blow-up
dc.typeThesis
dc.type.qualificationlevelDoctoral
dc.type.qualificationnameDoctor of Philosophy (PhD)
dc.publisher.institutionUniversity of Cambridge
dc.publisher.departmentDepartment of Architecture
dc.identifier.doi10.17863/CAM.31392


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