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dc.contributor.authorBadescu, Gruia
dc.date.accessioned2018-10-26T08:33:56Z
dc.date.available2018-10-26T08:33:56Z
dc.date.issued2018-11-24
dc.date.submitted2018-10-17
dc.identifier.urihttps://www.repository.cam.ac.uk/handle/1810/284391
dc.description.abstractThis dissertation discusses the rebuilding of cities after war in the context of the changing character of warfare and the increased expectations for societies to deal with difficult pasts. Departing from studies that approach post-war reconstruction focusing on the functional dimension of infrastructural repair and housing relief or on debates about architectural form, this dissertation examines reconstruction through the lens of the process of ‘coming to terms with the past’. It explores how understandings of victimhood and responsibility influence the rebuilding of urban space. Conversely, it argues that cities and architecture, through the meanings ascribed to them by various actors, play an important role in dealing with the past. Building on the moral philosophy of Theodor Adorno and Hannah Arendt, it discusses the potential of reconstruction for societies to work through the past, then it engages with frictions highlighted by three situations of rebuilding after different types of war. First, it examines the rebuilding of Belgrade as the capital of socialist Yugoslavia after the aerial bombings typical of the Second World War. Second, it analyses reconstruction debates in the same city after the 1999 NATO bombings, a high-tech operation, framed by NATO as a preventative, humanitarian intervention against a ‘perpetrator’ state. Third, it discusses rebuilding processes in Sarajevo, where destruction was inflicted between 1992 and 1995 by actors internal to the country, albeit with international ramifications, exemplary of Mary Kaldor’s ‘new wars’. Based on thirteen months of fieldwork conducted in Belgrade and Sarajevo between 2012 and 2015, it analyses intentions and consequences of reconstruction acts. It suggests the potential and the challenges of a reflective reconstruction, which engages critically with the past, and of a syncretic place-making reconstruction, which focuses on place and its agonistic promise. Its main contribution is to highlight the essential relationship between reconstruction and coming to terms with the past, arguing for an understanding of reconstruction with regards to conflict itself.
dc.description.sponsorshipThe Jack Kent Cooke Graduate Scholarship
dc.language.isoen
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectpost-war reconstruction
dc.subjectcoming to terms with the past
dc.subjectdealing with the past
dc.subjectreconstruction
dc.subjectarchitects
dc.subjectYugoslavia
dc.subjectBelgrade
dc.subjectSarajevo
dc.subjectBosnia
dc.subjectSerbia
dc.subjectmoral philosophy
dc.subjectpolitical emotions
dc.subjectresponsibility
dc.subjectvictimhood
dc.subjectnature of war
dc.subjectnarratives of war
dc.subjectnew wars
dc.subjecturbicide
dc.subjecturban conflict
dc.subjectplace-making
dc.subjectreflective reconstruction
dc.titleArchitecture, ‘coming to terms with the past’ and the ‘world in common’: Post-war urban reconstruction in Belgrade and Sarajevo
dc.typeThesis
dc.type.qualificationlevelDoctoral
dc.type.qualificationnameDoctor of Philosophy (PhD)
dc.publisher.institutionUniversity of Cambridge
dc.publisher.departmentDepartment of Architecture
dc.date.updated2018-10-25T22:38:53Z
dc.identifier.doi10.17863/CAM.31766
dc.publisher.collegeClare College
dc.type.qualificationtitlePhD in Architecture
cam.supervisorPullan, Wendy
cam.thesis.fundingfalse
rioxxterms.freetoread.startdate2024-01-01


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Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)
Except where otherwise noted, this item's licence is described as Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)