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dc.contributor.authorDi Franco, Manuela
dc.date.accessioned2018-11-29T09:52:56Z
dc.date.available2018-11-29T09:52:56Z
dc.date.issued2018-09-28
dc.date.submitted2018-04-05
dc.identifier.urihttps://www.repository.cam.ac.uk/handle/1810/286061
dc.description.abstractThe dissertation examines the field of popular magazines in 1930s Italy, by first examining the broad field of magazine production under Fascism and then undertaking three case studies of individual magazines – L’Avventuroso (1934 – 1943), Omnibus (1937 – 1939), and Grazia (1938 –) – in order to build an in-depth analysis of the production, format and reception of the popular press in this period. In the interwar years, and in particular from 1934 onwards, innovative printing techniques and production methods transformed the periodical press worldwide. The emergence of new forms of illustrated magazines expanded the readership and started a process of standardisation and mass production of periodicals. The dissemination in Italy of the rotocalco, a new product aimed at the masses that was developed in the 1930s, offers a particularly interesting starting point for analysing the development of a modern Italian mass press and culture within the peculiar dynamics of a controlling Fascist regime and the mixed national and international forces that shaped it. Modern Italian magazines developed in dialogue with foreign industries, imitating models from abroad and adapting them to the Italian culture. The development of popular press in the 1930s represented a challenge for the Fascist regime, which approached it both as a threat and an opportunity to shape Italian popular culture. Through the analysis of three case studies, each from a key sector of popular press – comics, general cultural magazines, and women's magazines – and each produced by one of the three main publishing companies in the field – Nerbini, Rizzoli, and Mondadori – the dissertation aims to provide a detailed picture of the development of mass print culture in Italy during Fascism. The analysis provides examples of the impact of and cracks in Fascist censorship and cultural autarchy on the periodical press and argues that the Italian popular press developed in dialogue with European and American culture, which influenced both the form and content of rotocalchi, reinterpreting and adapting these models to Italian standards and to the constrictions of Fascist control.
dc.language.isoen
dc.rightsAll rights reserved
dc.rightsAll Rights Reserveden
dc.rights.urihttps://www.rioxx.net/licenses/all-rights-reserved/en
dc.subjectPopular press
dc.subjectItalian culture
dc.subjectFascist Italy
dc.subject20th century
dc.subjectmagazines
dc.subjectwomen's magazines
dc.subjectcomics
dc.subjectpopular culture
dc.subjectrotocalchi
dc.subjectMedia Studies
dc.subjectCensorship
dc.titlePopular Magazines in Fascist Italy, 1934 - 1943
dc.typeThesis
dc.type.qualificationlevelDoctoral
dc.type.qualificationnameDoctor of Philosophy (PhD)
dc.publisher.institutionUniversity of Cambridge
dc.publisher.departmentItalian
dc.date.updated2018-11-28T10:30:03Z
dc.identifier.doi10.17863/CAM.33377
dc.publisher.collegeSidney Sussex
dc.type.qualificationtitlePhD in Italian Studies
cam.supervisorGordon, Robert
cam.thesis.fundingfalse


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