Apophatic Austen: Speaking about Silence in Austen’s Fiction

Abstract

In this essay I examine Austen’s interest in the rhetorical figure of apophasis, which occurs when a speaker claims not to say something but, in fact, says it. As a teenager, Austen burlesqued apophatic language, most emphatically in “Jack and Alice,” a short fiction included in her manuscript collection, Volume the First. At this very early stage of her writing career, Austen was scrutinizing conventionally disingenuous claims to silence. As well as providing contexts for Austen’s early satire of apophasis, I will suggest that in Austen’s mature fiction, apophasis plays a role in her most famed technical innovation, that is, her development of free indirect discourse which is also structured around paradoxes of telling and not telling.