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The concept of anyone is key to the discussion of 3D production

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Peer-reviewed

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Article

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Abstract

The burgeoning 3D scene provides a panoply of opportunities for academic and museum communities to engage with diverse and increasingly technologically astute audiences. Until recently, technological and financial barriers to entering the 3D realm have been relatively high, even insurmountable for private and public institutions and individuals considering the development of 3D models en masse. The advent of high-quality mobile phone cameras, mobile 3D production applications, and the rise of photogrammetry now makes it possible to cheaply and easily create 3D representations or even reproductions of suitable objects.

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Keywords

Archaeology, History of Art, Museums, Digital humanities

Journal Title

British Art Studies

Conference Name

Journal ISSN

2058-5462

Volume Title

Publisher

Paul Mellon Centre for Studies in British Art