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dc.contributor.authorReynolds, Suzanneen
dc.contributor.authorGialluca, Brunoen
dc.date.accessioned2019-06-26T09:07:03Z
dc.date.available2019-06-26T09:07:03Z
dc.date.issued2018-01-01en
dc.identifier.issn1972-6538
dc.identifier.urihttps://www.repository.cam.ac.uk/handle/1810/294028
dc.description.abstractThe interest of Thomas Coke (1697-1759) in the text of Livy is established, but new research in his library at Holkham Hall and in the archives in Florence reveals that he intended to produce an edition illustrated with visual material drawn from the most up to date antiquarian texts of the day. Drawing on letters, accounts, and annotated texts, this article sheds new light on the relationship between English Grand tourists and Italian scholars in the early eighteenth century, and on the modes of book patronage and production in the period.
dc.languageItalianen
dc.publisherFabrizio Serra Editore
dc.title'Il consaputo disegno di Tito Livio': Thomas Coke, Filippo Buonarroti, Sebastiani Bianchi ed una edizione illustrata di Livioen
dc.typeArticle
prism.endingPage99
prism.publicationDate2018en
prism.publicationNameSymbolae Antiquariaeen
prism.startingPage9
prism.volume8 (2015)en
dc.identifier.doi10.17863/CAM.41136
dcterms.dateAccepted2015-10-01en
rioxxterms.versionofrecord10.19272/201533901001en
rioxxterms.versionAM*
rioxxterms.licenseref.urihttp://www.rioxx.net/licenses/all-rights-reserveden
rioxxterms.licenseref.startdate2018-01-01en
dc.identifier.eissn1974-4900
rioxxterms.typeJournal Article/Reviewen
dc.identifier.urlhttps://www.libraweb.net/articoli.php?chiave=201533901&rivista=339en


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