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dc.contributor.authorLyne, Raphaelen
dc.date.accessioned2020-02-12T00:30:16Z
dc.date.available2020-02-12T00:30:16Z
dc.identifier.issn2052-7217
dc.identifier.urihttps://www.repository.cam.ac.uk/handle/1810/302018
dc.description.abstractCognitive scientists are beginning to explore the important work our minds do when attention wanes. In particular, it seems that orientation of the individual in relation to past, present, and future may be developed and maintained during periods of distraction. Shakespeare works with the potential for productive mind-wandering in characters and in audiences. In Henry V, they and we think beyond present business into the ideologies and costs of the underlying plans and possibilities. The King himself embodies the interaction of wandering and selfhood. In Much Ado About Nothing the friends and audience of Beatrice and Benedick may not be fully absorbed by their witty exchanges; there is another story to be told, in the gaps Shakespeare creates in the action of the play, in which they end up taking their inevitable roles as lovers.
dc.rightsAll rights reserved
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International
dc.rights.uri
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.titleShakespeare and the Wandering Minden
dc.typeArticle
prism.endingPage27
prism.publicationNameJournal of the British Academyen
prism.startingPage1
prism.volume8en
dc.identifier.doi10.17863/CAM.49094
dcterms.dateAccepted2020-01-10en
rioxxterms.versionofrecord10.5871/jba/008.001en
rioxxterms.versionVoR
rioxxterms.licenseref.urihttp://www.rioxx.net/licenses/all-rights-reserveden
rioxxterms.licenseref.startdate2020-01-10en
dc.contributor.orcidLyne, Raphael [0000-0002-1741-0124]
dc.identifier.eissn2052-7217
rioxxterms.typeJournal Article/Reviewen
cam.issuedOnline2020-02-24en
cam.orpheus.successMon Dec 14 07:35:52 GMT 2020 - The item has an open VoR version.*
cam.orpheus.counter42*
rioxxterms.freetoread.startdate2100-01-01


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