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dc.contributor.authorGotti, Sofiaen
dc.date.accessioned2020-02-18T06:57:26Z
dc.date.available2020-02-18T06:57:26Z
dc.date.issued2019en
dc.identifier.issn0034-9593
dc.identifier.urihttps://www.repository.cam.ac.uk/handle/1810/302326
dc.description.abstractTarsila do Amaral: Inventing Modern Art in Brazil sets out to confront "the issues of race, class, and gender in Brazil . . . as well as larger matters of nationalism and internationalism, primitivism and colonial history and the relationship between high art and low, regional, folk or vernacular art" (23). Such an ambitious undertaking is tackled through works by Tarsila do Amaral, affectionately addressed by her first name (though I do not recall many male artists in the twentieth century being addressed by their first names) and described as the originator of Modern Art in Brazil.
dc.languageenen
dc.publisherProject Muse
dc.rightsAll rights reserved
dc.rights.uri
dc.titleTarsila do Amaral: Inventing Modern Art in Brazil ed. by Stephanie D'Alessandro, and Luis Pérez-Oramasen
dc.typeArticle
prism.endingPage232
prism.issueIdentifier2en
prism.publicationDate2019en
prism.publicationNameRevista Hispánica Modernaen
prism.startingPage229
prism.volume72en
dc.identifier.doi10.17863/CAM.49399
rioxxterms.versionofrecord10.1353/rhm.2019.0013en
rioxxterms.versionAM
rioxxterms.licenseref.urihttp://www.rioxx.net/licenses/all-rights-reserveden
rioxxterms.licenseref.startdate2019en
dc.identifier.eissn1944-6446
rioxxterms.typeJournal Article/Reviewen


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