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dc.contributor.authorTobin, Amyen
dc.date.accessioned2021-02-03T16:03:45Z
dc.date.available2021-02-03T16:03:45Z
dc.identifier.urihttps://www.repository.cam.ac.uk/handle/1810/317080
dc.description.abstractLinderism was the first U.K. solo exhibition of the British artist Linder. Born in 1954, Linder began making artworks in the 1970s while involved in the punk subculture of Manchester. Linderism was the first show to bring the diversity of Linder’s five decades of practice together, including new commissions engaging with the Kettle’s Yard House, and a new performance realised with New Hall Art Collection, Murray Edwards College. Linderism used the galleries to give an account of Linder’s work through chronological and medium-specific displays, but works were also installed across site, paralleling the multi-disciplinary, itinerant spirit of her work. While Linderism gave the first historical account of Linder’s work, it was also a meditation on historicisation and Linder’s relationship to the site of Kettle’s Yard. It employed a feminist methodology, sensitive to Linder’s politics.en
dc.format.mediumExhibitionen
dc.titleLinderismen
dc.typeConference Object
dc.identifier.doi10.17863/CAM.64190
rioxxterms.licenseref.urihttp://www.rioxx.net/licenses/all-rights-reserveden
dcterms.formatExhibitionen
rioxxterms.typeOtheren
dc.identifier.urlhttps://www.kettlesyard.co.uk/events/linderism/en


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