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dc.contributor.authorTurnbull, Jonathon
dc.contributor.authorSearle, Adam
dc.contributor.authorAdams, William M
dc.date.accessioned2021-03-27T00:30:11Z
dc.date.available2021-03-27T00:30:11Z
dc.date.issued2020-05-19
dc.identifier.issn0886-7356
dc.identifier.urihttps://www.repository.cam.ac.uk/handle/1810/319262
dc.description.abstractAs of April 2020, billions of people around the world are living under differing degrees of physical confinement due to the Covid-19 pandemic, reshaping the ways in which we represent, affect, and sense urban space. Covid-19 has altered the mobilities and ordinary affects of human and nonhuman animal life in unprecedented ways (Stewart 2007). Confinement has shaken up the quotidian rhythms of urbanites, both human and nonhuman, actual and virtual. We explore these quarantine urban ecologies as they manifest in two prominent and interlinked forms: digital ecologies and ecologies of abandonment. We feel these ecologies differently, and feel differently about them, because they are ecologically different. Until now only virtually evoked through thought experiments (e.g., Weisman 2007), Covid-19 is actualizing these ecologies on a global scale.
dc.publisherSociety for Cultural Anthropology
dc.rightsAttribution-NonCommercial-ShareAlike 4.0 International
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/4.0/
dc.titleQuarantine urban ecologies
dc.typeArticle
prism.publicationDate2020
prism.publicationNameCultural Anthropology
dc.identifier.doi10.17863/CAM.66380
dcterms.dateAccepted2020-05-06
rioxxterms.versionVoR
rioxxterms.licenseref.urihttp://www.rioxx.net/licenses/all-rights-reserved
rioxxterms.licenseref.startdate2020-05-19
dc.contributor.orcidSearle, Adam [0000-0002-5319-895X]
dc.publisher.urlhttps://culanth.org/fieldsights/quarantine-urban-ecologies
rioxxterms.typeJournal Article/Review
cam.issuedOnline2020-05-19
dc.identifier.urlhttps://culanth.org/fieldsights/quarantine-urban-ecologies


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Attribution-NonCommercial-ShareAlike 4.0 International
Except where otherwise noted, this item's licence is described as Attribution-NonCommercial-ShareAlike 4.0 International