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Pierre Bonnard: Bringing Painting to Life

Accepted version
Peer-reviewed

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Type

Article

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Authors

de Bolla, Peter 

Abstract

jats:titleAbstract</jats:title> jats:pThe French artist Pierre Bonnard created more than two thousand paintings, many of them now dispersed around museums across the world. He painted in a slightly eccentric manner—on unstretched canvas—and often worked on these paintings over decades. They typically depict closed spaces, interiors, that open out to vistas beyond the room. He also produced a number of self-portraits and a very large number of paintings depicting his muse, Marthe, often going about her toilette. Almost of all these paintings have very strange effects—for the most part overlooked by viewers from his own time to today. These effects, which Peter de Bolla calls “ghosts,” are often depictions hiding in plain sight. In this essay, de Bolla patiently explores how such effects can be seen in one painting, La salle à manger sur le jardin (1930–31), leading the viewer into the strange world Bonnard depicted.</jats:p>

Description

Keywords

47 Language, Communication and Culture, 4702 Cultural Studies, 4705 Literary Studies

Journal Title

BOUNDARY 2-AN INTERNATIONAL JOURNAL OF LITERATURE AND CULTURE

Conference Name

Journal ISSN

0190-3659
1527-2141

Volume Title

Publisher

Duke University Press

Rights

All rights reserved