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dc.contributor.authorWilson, Ross
dc.date.accessioned2021-12-14T00:31:48Z
dc.date.available2021-12-14T00:31:48Z
dc.date.issued2021-11-29
dc.identifier.issn0013-8304
dc.identifier.urihttps://www.repository.cam.ac.uk/handle/1810/331384
dc.description.abstractThe words _hear_ and _here_ sound but do not look the same, and in this essay I investigate the significance of this fact in poems by Lovelace, Shelley, Keats, Christina Rossetti, Baraka, and Graham. The hear/here homophone raises a number of abiding questions about the relation of the visible and acoustic in the reading of verse, as well as about where the poem exists. I also examine how the relation between the scripted 'here' of the page and what the reader may be said to hear (or not) has been mobilized for ethical, theological, and political purposes.
dc.publisherJohns Hopkins University Press
dc.rightsPublisher's own licence
dc.titleHear Here: A Homophone in English Poetry
dc.typeArticle
dc.publisher.departmentFaculty of English
dc.date.updated2021-12-13T12:11:40Z
prism.publicationDate2021
prism.publicationNameELH: English Literary History
dc.identifier.doi10.17863/CAM.78835
dcterms.dateAccepted2021-11-09
rioxxterms.versionAM
dc.contributor.orcidWilson, Ross [0000-0002-0960-6223]
rioxxterms.typeJournal Article/Review
cam.orpheus.success2021-12-13 - Embargo set during processing via Fast-track
cam.depositDate2021-12-13
pubs.licence-identifierapollo-deposit-licence-2-1
pubs.licence-display-nameApollo Repository Deposit Licence Agreement
rioxxterms.freetoread.startdate2021-11-29


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