Urban Reforms, Cultural Goods and the Valongo Wharf Circle: Understanding Intervention in Rio de Janeiro's Port Area

Abstract

Between 2012 and 2016, the Valongo Wharf Circle employed capoeira to make sense of the complex and enduring legacies of the Valongo Wharf, namely, the impact and intersection of racial discrimination and cycles of redevelopment that have remade Rio and marked the history of the site. This article uses ‘products’ that record the project to consider the vicissitudes and contingency of how it both used and reconfigured the selective valorisation of the everyday to probe and disrupt the quotidian dynamics of Rio's port area.