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dc.contributor.authorAdams, Victoria
dc.date.accessioned2021-12-24T14:39:32Z
dc.date.available2021-12-24T14:39:32Z
dc.date.issued2021-11
dc.identifier.issn0261-3050
dc.identifier.otherblar13183
dc.identifier.other1325
dc.identifier.urihttps://www.repository.cam.ac.uk/handle/1810/331829
dc.description.abstractBetween 2012 and 2016, the Valongo Wharf Circle employed capoeira to make sense of the complex and enduring legacies of the Valongo Wharf, namely, the impact and intersection of racial discrimination and cycles of redevelopment that have remade Rio and marked the history of the site. This article uses ‘products’ that record the project to consider the vicissitudes and contingency of how it both used and reconfigured the selective valorisation of the everyday to probe and disrupt the quotidian dynamics of Rio's port area.
dc.languageen
dc.publisherWiley
dc.subjectArticle
dc.subjectArticles
dc.subjectAfro‐Brazilian culture
dc.subjectcapoeira
dc.subjectcity
dc.subjectpleasure
dc.subjectRio de Janeiro
dc.subjecturban reforms
dc.titleUrban Reforms, Cultural Goods and the Valongo Wharf Circle: Understanding Intervention in Rio de Janeiro's Port Area
dc.typeArticle
dc.date.updated2021-12-24T14:39:31Z
prism.endingPage711
prism.issueIdentifier5
prism.publicationNameBulletin of Latin American Research
prism.startingPage696
prism.volume40
dc.identifier.doi10.17863/CAM.79278
rioxxterms.versionofrecord10.1111/blar.13183
rioxxterms.versionAO
rioxxterms.versionVoR
rioxxterms.licenseref.urihttp://creativecommons.org/licenses/by/4.0/
dc.identifier.eissn1470-9856
cam.issuedOnline2020-10-23


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