Theology through Images: Viewing and Devotion in the Yates Thompson Commedia
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Publication Date
2021-11-30Journal Title
Dante Studies: with the Annual Report of the Dante Society
ISSN
0070-2862
Publisher
Dante Society of America
Type
Article
This Version
AM
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Phillips-Robins, H. (2021). Theology through Images: Viewing and Devotion in the Yates Thompson Commedia. Dante Studies: with the Annual Report of the Dante Society https://doi.org/10.1353/das.2020.0005
Abstract
In his illuminations for Dante’s Paradiso, Giovanni di Paolo, one of the foremost painters of fifteenth-century Siena, reimagines contemporary religious iconographies, sometimes in highly unusual ways. This essay proposes that Giovanni’s images of the sacred in his illuminations for Paradiso invite forms of devotional engagement on the part of the reader-viewer. I suggest that Giovanni’s depictions of the sacred are a means of doing theology: that is, they explore the nature and activity of God and invite the viewer’s first-person engagement with the divine. In this view, Giovanni’s illuminations do not merely illustrate the narrative or epistemological content of the Commedia, but also share in the salvific mission that Dante claims for his poem. Studying Giovanni’s illuminations prompts us to reconsider the types of activity that reading the Commedia could involve.
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External DOI: https://doi.org/10.1353/das.2020.0005
This record's URL: https://www.repository.cam.ac.uk/handle/1810/335069
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