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dc.contributor.authorMarr, Alexander
dc.date.accessioned2022-04-13T23:30:43Z
dc.date.available2022-04-13T23:30:43Z
dc.identifier.issn0006-1999
dc.identifier.urihttps://www.repository.cam.ac.uk/handle/1810/336086
dc.description.abstractThe woodcut portrait of the French neo-Latin poet Nicolas Bourbon (1503/5-after 1550) designed by Hans Holbein the Younger (ca. 1497-1543) is well known. (Figure 1) First published in Bourbon’s little collection of verses and letters, Paedagogeion (1536), it was based on Holbein’s ad vivum drawing of the poet, made during his brief exile in England in 1535. Surprisingly, it has been barely remarked upon that a second woodcut portrait of Bourbon, the design of which is attributed here to Holbein, was published a few years later in another of Bourbon’s books. In what follows, I set out the circumstances in which this second portrait was likely made, and how it may be interpreted in relation to the first picture and Bourbon’s self-fashioning as a ‘poet laureate’.
dc.publisherLibrairie Droz SA
dc.rightsAll Rights Reserved
dc.rights.urihttp://www.rioxx.net/licenses/all-rights-reserved
dc.titleHolbein's Second Portrait of Nicolas Bourbon
dc.typeArticle
dc.publisher.departmentDepartment of History of Art
dc.date.updated2022-04-13T12:42:32Z
prism.publicationNameBibliotheque d'Humanisme et Renaissance: travaux et documents
dc.identifier.doi10.17863/CAM.83515
dcterms.dateAccepted2022-03-24
rioxxterms.versionAM
rioxxterms.typeJournal Article/Review
cam.orpheus.counter35*
cam.depositDate2022-04-13
pubs.licence-identifierapollo-deposit-licence-2-1
pubs.licence-display-nameApollo Repository Deposit Licence Agreement
rioxxterms.freetoread.startdate2100-01-01


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