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Filmmaking practice and animals’ geographies: attunement, perspective, narration

Published version
Peer-reviewed

Change log

Abstract

jats:p After being captured from the streets of Moscow, Laika was the first living creature to be sent into Earth’s orbit by the USSR in 1957. The 2019 film, Space Dogs, tells the story of Laika’s spectral return to Moscow, and searches for her ghosts in the city’s street dogs 60 years later. Combining archival material with contemporary documentary footage ‘filmed at dog’s level’, the film reanimates Laika’s spectral afterlives. Drawing on a series of in-depth conversations with the film’s directors, writers, and director of photography, we provide critical reflections on filmmaking practice for animals’ geographies. We offer a three-part typology which frames these contributions: attunement, which focuses on the affordances of filmmaking practice for attuning to the lives of nonhuman lifeworlds; perspective, which documents how filmmaking practice allows for more-than-human urban space to be viewed from alternative vantage points; and narration, which enables filmmakers to experiment with affective modes of representing animals’ lives, offering audiences alternative spatiotemporal experiences. Finally, we reflect on the potentials of filmmaking as a fruitful practice, method, and output for animals’ geographers. </jats:p>

Description

Keywords

animals' geographies, cinema, filmic geographies, ghosts, Laika, methods, more-than-human, Space Dogs, spectral geographies

Journal Title

Cultural Geographies

Conference Name

Journal ISSN

1474-4740
1477-0881

Volume Title

29

Publisher

SAGE Publications
Sponsorship
ESRC (ES/J500033/1)