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dc.contributor.authorLadd, Marco
dc.date.accessioned2022-06-13T23:30:29Z
dc.date.available2022-06-13T23:30:29Z
dc.date.issued2020-07-01
dc.identifier.issn1753-0768
dc.identifier.urihttps://www.repository.cam.ac.uk/handle/1810/338039
dc.description.abstractThe historiography of the transition from silent cinema to sound cinema has evolved considerably in the last decade, none more so than for scholars of cinematic sound. A wealth of recent scholarship (Spring 2013; Slowik 2014; Jacobs 2014; Platte 2018; Lewis 2018) has illuminated the coming of sound from a range of different national, cultural and industrial vantage points, bringing the many continuities between silent cinema and sound cinema into focus. As a result, what was once treated as a stark line in the sand—a technological revolution followed by a few years of chaos, as exhibitors fired scores of orchestra players and filmmakers scrambled to learn how to use new sonic resources ‘properly’— is now understood as a complex global process, advancing swiftly in some places and incrementally in others. More than ever before, the decade between 1925 and 1935 appears as a period ripe with aesthetic possibility.
dc.publisherLiverpool University Press
dc.rightsAttribution 4.0 International
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.titleReview of Movies, Songs, and Electric Sound: Transatlantic Trends (Bloomington: Indiana University Press, 2019).
dc.typeArticle
dc.publisher.departmentEmmanuel College
dc.date.updated2022-06-12T15:38:23Z
prism.endingPage90
prism.issueIdentifier1
prism.publicationDate2020
prism.publicationNameMusic, Sound, and the Moving Image
prism.startingPage86
prism.volume14
dc.identifier.doi10.17863/CAM.85448
rioxxterms.versionAM
rioxxterms.typeJournal Article/Review
cam.orpheus.success2022-06-13 - Embargo set during processing via Fast-track
cam.depositDate2022-06-12
pubs.licence-identifierapollo-deposit-licence-2-1
pubs.licence-display-nameApollo Repository Deposit Licence Agreement
rioxxterms.freetoread.startdate2020-07-01


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Attribution 4.0 International
Except where otherwise noted, this item's licence is described as Attribution 4.0 International