Writing Home: Depictions of Forced Displacement in Romantic Era and Contemporary Poetry
View / Open Files
Authors
Rosane, Olivia
Advisors
Wilson, Ross
Date
2021-10-01Awarding Institution
University of Cambridge
Qualification
Doctor of Philosophy (PhD)
Type
Thesis
Metadata
Show full item recordCitation
Rosane, O. (2021). Writing Home: Depictions of Forced Displacement in Romantic Era and Contemporary Poetry (Doctoral thesis). https://doi.org/10.17863/CAM.85750
Abstract
In Romantic Migrations: Local, National, and Transnational Dispositions, Michael Wiley argues that it was during the Romantic era that ‘the concept of migration acquired the complex semantic and ideological range familiar to the twenty-first century’. This dissertation builds on Wiley’s insight to compare depictions of forced displacement in British Romantic poetry to contemporary poetry written or circulated in the United Kingdom in response to the so-called refugee crisis of 2015-2016. I argue that these two periods can speak to each other meaningfully because the turn of the nineteenth century saw the development or acceleration of three key trends that still influence both displacement and poetry today: the linkage of rights to nation-state citizenship, the impacts of environmental change on ecosystems and communities, and the expansion of new communication technologies that generate(d) anxieties about the reach and purpose of poetry. At the same time, the Romantic period falls before the emergence of contemporary refugee law in the mid-twentieth century and the subsequent divide between asylum seekers and economic migrants that haunts current policy and debates. By focusing on how British writers responded to forced displacement in an earlier era of increased mobility, I hope to think beyond and outside these categories to show how people were falling through the gap between (hu)man and citizen as soon as it was first codified.
The first half of this dissertation focuses on Romantic era poets. I consider how Charlotte Smith and William Wordsworth responded to the displacements prompted by the consolidation of the French and British nation states, how John Clare expressed his own loss of home in the wake of environmental change, and how Lord Byron represented the collective experience of upheaval in Childe Harold’s Pilgrimage and Don Juan. The second half of the dissertation moves to the contemporary period to consider how poets responded to the Mediterranean Sea’s contemporary status as the world’s deadliest border through classical allusions reminiscent of Romantic Hellenism. Finally, I examine how contemporary poets have intervened in print and internet culture on behalf of refugees, considering how these interventions may reinforce or subvert the national and legal categories that attempt to determine who may move where, and why.
Keywords
English literature, Romantic poetry, Contemporary poetry, Forced displacement, Migration and refugees
Identifiers
This record's DOI: https://doi.org/10.17863/CAM.85750
Statistics
Total file downloads (since January 2020). For more information on metrics see the
IRUS guide.
Recommended or similar items
The current recommendation prototype on the Apollo Repository will be turned off on 03 February 2023. Although the pilot has been fruitful for both parties, the service provider IKVA is focusing on horizon scanning products and so the recommender service can no longer be supported. We recognise the importance of recommender services in supporting research discovery and are evaluating offerings from other service providers. If you would like to offer feedback on this decision please contact us on: support@repository.cam.ac.uk