Review of Movies, Songs, and Electric Sound: Transatlantic Trends (Bloomington: Indiana University Press, 2019).
| cam.depositDate | 2022-06-12 | |
| cam.orpheus.success | 2022-06-13 - Embargo set during processing via Fast-track | |
| dc.contributor.author | Ladd, Marco | |
| dc.date.accessioned | 2022-06-13T23:30:29Z | |
| dc.date.available | 2022-06-13T23:30:29Z | |
| dc.date.issued | 2020-07-01 | |
| dc.date.updated | 2022-06-12T15:38:23Z | |
| dc.description.abstract | The historiography of the transition from silent cinema to sound cinema has evolved considerably in the last decade, none more so than for scholars of cinematic sound. A wealth of recent scholarship (Spring 2013; Slowik 2014; Jacobs 2014; Platte 2018; Lewis 2018) has illuminated the coming of sound from a range of different national, cultural and industrial vantage points, bringing the many continuities between silent cinema and sound cinema into focus. As a result, what was once treated as a stark line in the sand—a technological revolution followed by a few years of chaos, as exhibitors fired scores of orchestra players and filmmakers scrambled to learn how to use new sonic resources ‘properly’— is now understood as a complex global process, advancing swiftly in some places and incrementally in others. More than ever before, the decade between 1925 and 1935 appears as a period ripe with aesthetic possibility. | |
| dc.identifier.doi | 10.17863/CAM.85448 | |
| dc.identifier.issn | 1753-0768 | |
| dc.identifier.uri | https://www.repository.cam.ac.uk/handle/1810/338039 | |
| dc.language.iso | eng | |
| dc.publisher | Liverpool University Press | |
| dc.publisher.department | Emmanuel College | |
| dc.rights | Attribution 4.0 International | |
| dc.rights.uri | https://creativecommons.org/licenses/by/4.0/ | |
| dc.title | Review of Movies, Songs, and Electric Sound: Transatlantic Trends (Bloomington: Indiana University Press, 2019). | |
| dc.type | Article | |
| prism.endingPage | 90 | |
| prism.issueIdentifier | 1 | |
| prism.publicationDate | 2020 | |
| prism.publicationName | Music, Sound, and the Moving Image | |
| prism.startingPage | 86 | |
| prism.volume | 14 | |
| pubs.licence-display-name | Apollo Repository Deposit Licence Agreement | |
| pubs.licence-identifier | apollo-deposit-licence-2-1 | |
| rioxxterms.type | Journal Article/Review | |
| rioxxterms.version | AM |
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