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“Fun, Yes, but Music?” Steve Reich and the San Francisco Bay Area’s Cultural Nexus, 1962–65

Published version
Peer-reviewed

Type

Article

Change log

Abstract

This article traces Steve Reich through the Bay Area’s cultural nexus during the period 1962–65, exploring intersections with Luciano Berio, Phil Lesh, Terry Riley, Robert Nelson, the San Francisco Mime Troupe, and the San Francisco Tape Music Center. The aim is to present a revised history of this era by drawing on personal interviews with TomConstanten, R. G. Davis, Jon Gibson, Saul Landau, Pauline Oliveros, and Ramon Sender. In addition, previously unused source materials and contemporaneous newspaper reception are employed to provide a more nuanced contextual framework. Reich’s heterogeneous activities—ranging from “third stream” music and multimedia happenings to incidental scores and tape collage—deserve investigation on their own terms, rather than from within narratives concerned with the stylistic development of “minimalism.” More appropriate and viable aesthetic parallels are drawn between Reich’s work for tape and Californian Funk art.

Description

Keywords

3603 Music, 36 Creative Arts and Writing

Journal Title

Journal of the Society for American Music

Conference Name

Journal ISSN

1752-1971
1752-1971

Volume Title

6

Publisher

Cambridge University Press (CUP)