The purpose of this paper is to theorize pedagogies that reckon with and provide an alternative to the chronicles of white time in visual art education. While whiteness has garnered significant attention in visual art education scholarship during the past two decades, and particularly so in the past few years, time has not featured explicitly as a central analytic. Through engaging with how visual art education scholars work with alternative temporalities to white time in their own scholarship, I attempt to theorize a pedagogic approach that might summon subjectivities that reckon with and counter the dominant logics of white time.