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Complicity, Recognition, and Conversion in the Christus Patiens Drama

cam.issuedOnline2019-01-01
dc.contributor.authorWaller, Giles
dc.contributor.orcidWaller, Giles [0000-0001-5529-514X]
dc.date.accessioned2018-12-13T00:31:26Z
dc.date.available2018-12-13T00:31:26Z
dc.date.issued2019
dc.description.abstractThis article traces the dynamic of tragic recognition and conversion through one of the most explicit attempts to consider the central narrative of the Gospels in a tragic mode, Hugo Grotius’s 1608 Christus Patiens (translated into English by George Sandys in 1640). Converting the Passion narrative into neoclassical drama, Christus Patiens raises troubling dramaturgical, ethical, and theological questions about the nature of Christian tragedy and its relation to atonement and conversion. The article traces the complex ways that this play elicits judgments of guilt and innocence from (and within) its audience and how these judgments connect to the desire to witness and be moved by the spectacle of tragic suffering. These questions are considered within the broader perspective of Reformation theologies of recognition and repentance.
dc.identifier.doi10.17863/CAM.34109
dc.identifier.eissn1527-8263
dc.identifier.issn1082-9636
dc.identifier.urihttps://www.repository.cam.ac.uk/handle/1810/286802
dc.languageen
dc.language.isoeng
dc.publisherDuke University Press
dc.publisher.urlhttp://dx.doi.org/10.1215/10829636-7279624
dc.subject47 Language, Communication and Culture
dc.subject4705 Literary Studies
dc.titleComplicity, Recognition, and Conversion in the <i>Christus Patiens</i> Drama
dc.typeArticle
dcterms.dateAccepted2018-10-02
prism.endingPage55
prism.issueIdentifier1
prism.publicationDate2019
prism.publicationNameJOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
prism.startingPage33
prism.volume49
rioxxterms.licenseref.startdate2019-01-01
rioxxterms.licenseref.urihttp://www.rioxx.net/licenses/all-rights-reserved
rioxxterms.typeJournal Article/Review
rioxxterms.versionAM
rioxxterms.versionofrecord10.1215/10829636-7279624

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