Invention and grace

Abstract

This article analyzes the styles of work and conflict of a group of electrical contractors who congregate across the street from a power utility office. Drawing on a rich tradition of urban Africanist ethnography, as well as the work of Roy Wagner and Lars Spuybroek, it argues that their long-running street-corner bureau is a ‘turn’ that brings together the logics of entrepreneurial accumulation and bureaucratic legitimacy into generative counterpoint. Performed well, the effect of this turn is a kind of grace, characterized by increase and bounty, but also social recognition and dignity. Performed poorly, it is a received as a parody of the logics it aims to transfigure. The ‘taking of turns,’ in all of its contrapuntal difficulty, characterizes much the social drama that unfolds daily.