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Highway to Hell? Images of the American Road in Kelly Reichardt'sOld Joy,Wendy and Lucy, andMeek's Cutoff

cam.issuedOnline2017-06-27
dc.contributor.authorHESTER, DIARMUID
dc.date.accessioned2018-12-11T00:31:14Z
dc.date.available2018-12-11T00:31:14Z
dc.date.issued2018-08
dc.description.abstract<jats:p>This article examines representations of the road in the work of independent Florida-born film director Kelly Reichardt. Reading Reichardt's so-called Oregon trilogy,<jats:italic>Old Joy</jats:italic>(2006),<jats:italic>Wendy and Lucy</jats:italic>(2008), and<jats:italic>Meek's Cutoff</jats:italic>(2010), alongside radical anti-freeway and anti-automobile movements from the Pacific Northwest, I argue that Reichardt's films offer critical engagements with the subject of the American road, interrogating the freedom and emancipation from social constraint it purportedly offers.</jats:p>
dc.identifier.doi10.17863/CAM.33944
dc.identifier.eissn1469-5154
dc.identifier.issn0021-8758
dc.identifier.urihttps://www.repository.cam.ac.uk/handle/1810/286632
dc.languageen
dc.language.isoeng
dc.publisherCambridge University Press (CUP)
dc.publisher.urlhttp://dx.doi.org/10.1017/s0021875817000937
dc.subject47 Language, Communication and Culture
dc.subject4705 Literary Studies
dc.titleHighway to Hell? Images of the American Road in Kelly Reichardt's<i>Old Joy</i>,<i>Wendy and Lucy</i>, and<i>Meek's Cutoff</i>
dc.typeArticle
prism.endingPage827
prism.issueIdentifier3
prism.publicationDate2018
prism.publicationNameJournal of American Studies
prism.startingPage810
prism.volume52
rioxxterms.licenseref.startdate2018-08
rioxxterms.licenseref.urihttp://www.rioxx.net/licenses/all-rights-reserved
rioxxterms.typeJournal Article/Review
rioxxterms.versionAM
rioxxterms.versionofrecord10.1017/s0021875817000937

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