Highway to Hell? Images of the American Road in Kelly Reichardt'sOld Joy,Wendy and Lucy, andMeek's Cutoff
cam.issuedOnline | 2017-06-27 | |
dc.contributor.author | HESTER, DIARMUID | |
dc.date.accessioned | 2018-12-11T00:31:14Z | |
dc.date.available | 2018-12-11T00:31:14Z | |
dc.date.issued | 2018-08 | |
dc.description.abstract | <jats:p>This article examines representations of the road in the work of independent Florida-born film director Kelly Reichardt. Reading Reichardt's so-called Oregon trilogy,<jats:italic>Old Joy</jats:italic>(2006),<jats:italic>Wendy and Lucy</jats:italic>(2008), and<jats:italic>Meek's Cutoff</jats:italic>(2010), alongside radical anti-freeway and anti-automobile movements from the Pacific Northwest, I argue that Reichardt's films offer critical engagements with the subject of the American road, interrogating the freedom and emancipation from social constraint it purportedly offers.</jats:p> | |
dc.identifier.doi | 10.17863/CAM.33944 | |
dc.identifier.eissn | 1469-5154 | |
dc.identifier.issn | 0021-8758 | |
dc.identifier.uri | https://www.repository.cam.ac.uk/handle/1810/286632 | |
dc.language | en | |
dc.language.iso | eng | |
dc.publisher | Cambridge University Press (CUP) | |
dc.publisher.url | http://dx.doi.org/10.1017/s0021875817000937 | |
dc.subject | 47 Language, Communication and Culture | |
dc.subject | 4705 Literary Studies | |
dc.title | Highway to Hell? Images of the American Road in Kelly Reichardt's<i>Old Joy</i>,<i>Wendy and Lucy</i>, and<i>Meek's Cutoff</i> | |
dc.type | Article | |
prism.endingPage | 827 | |
prism.issueIdentifier | 3 | |
prism.publicationDate | 2018 | |
prism.publicationName | Journal of American Studies | |
prism.startingPage | 810 | |
prism.volume | 52 | |
rioxxterms.licenseref.startdate | 2018-08 | |
rioxxterms.licenseref.uri | http://www.rioxx.net/licenses/all-rights-reserved | |
rioxxterms.type | Journal Article/Review | |
rioxxterms.version | AM | |
rioxxterms.versionofrecord | 10.1017/s0021875817000937 |
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