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The scholar as craftsman: Derek de Solla Price and the reconstruction of a medieval instrument.

cam.issuedOnline2014-02-05
dc.contributor.authorFalk, Seb
dc.contributor.orcidFalk, Seb [0000-0003-1576-8111]
dc.date.accessioned2018-09-05T12:47:04Z
dc.date.available2018-09-05T12:47:04Z
dc.date.issued2014-06-20
dc.description.abstractThe Royal Society Conversaziones were biannual social evenings at which distinguished guests could learn about the latest scientific developments. The Conversazione in May 1952 featured an object that came to be called King Arthur's Table. It was a planetary equatorium, made in Cambridge's Cavendish Laboratory at the behest of Sir Lawrence Bragg. Conceived by the historian of science Derek de Solla Price as a huge, tangible realization of Chaucerian astronomy, it was displayed at the new Whipple Museum of the History of Science, discarded, stored incognito, catalogued with that whimsical name, and finally re-identified in 2012. This article examines the biography of that object and, through it, the early, inchoate years of the discipline of history of science in Cambridge. The process of disciplinary establishment involved a range of actors beyond well-known figures such as Herbert Butterfield and Joseph Needham; the roles of Price and Bragg are highlighted here. Study of these individuals, and of the collaboration that brought about the reconstruction, reveals much about the establishment of a discipline, as well as changing scholarly and curatorial attitudes towards replicas.
dc.format.mediumPrint
dc.identifier.doi10.17863/CAM.26901
dc.identifier.eissn1743-0178
dc.identifier.issn0035-9149
dc.identifier.urihttps://www.repository.cam.ac.uk/handle/1810/279528
dc.languageeng
dc.language.isoeng
dc.publisherThe Royal Society
dc.publisher.urlhttp://dx.doi.org/10.1098/rsnr.2013.0062
dc.rightsAttribution 4.0 International (CC BY 4.0)
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.subjectAstronomy
dc.subjectEngland
dc.subjectHistory, 20th Century
dc.subjectMuseums
dc.titleThe scholar as craftsman: Derek de Solla Price and the reconstruction of a medieval instrument.
dc.typeArticle
prism.endingPage134
prism.issueIdentifier2
prism.publicationDate2014
prism.publicationNameNotes Rec R Soc Lond
prism.startingPage111
prism.volume68
pubs.funder-project-idAHRC (1224685)
rioxxterms.licenseref.startdate2014-06
rioxxterms.licenseref.urihttp://www.rioxx.net/licenses/all-rights-reserved
rioxxterms.typeJournal Article/Review
rioxxterms.versionVoR
rioxxterms.versionofrecord10.1098/rsnr.2013.0062

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