Visual Representations of the Third Plague Pandemic
About this community
AN ERC FUNDED PROJECT BASED AT CRASSH, UNIVERSITY OF CAMBRIDGE, COLLECTING AND ANALYSING PHOTOS FROM THE THIRD PLAGUE PANDEMIC (1855-1959)
Visual Representations of the Third Plague Pandemic is an interdisciplinary research project led by social anthropologist, Dr Christos Lynteris. The project is funded by a European Research Council Starting Grant (under the European Union's Seventh Framework Programme/ERC grant agreement no 336564). The HI of the project between October 2013 and September 2017 was CRASSH (University of Cambridge). As of October 2017 the project's HI is the Department of Social Anthropology at the University of St Andrews, with CRASSH remaining a co-beneficiary until the project ends in September 2018.
The project will collect and analyse photographs as well as other visual documents of the third plague pandemic, which broke out in 1855 in Southwest China (Yunnan) and raged across the globe until 1959, causing the death of approximately 12 million people.
As Yersinia pestis spread from country to country and from continent to continent, it left behind it not only a trail of death and terror, but also a growing visual archive on the first global pandemic to be captured by the photographic lens. Rather however than forming a homogeneous or linear visual narrative, these photographic documents provided diverging perspectives on the pandemic, which, more often than not, were not simply different from region to region, but in fact conflicting within any single locus of infection.
The project’s hypothesis is that its visual representation played a pivotal role in the formation of both scientific understandings and public perception of infectious disease epidemics in the modern era.
While investigating the visual record of the third plague pandemic in East Asia, South Asia, Africa and the Americas, researchers will engage in a collaborative and interdisciplinary analysis of the entangled history of the visual representation of the pandemic, taking as a common analytical ground four different but vitally interlinked aspects of the visual representation of the pandemic:
- The Built Environment
- Civil Disturbance and Public Order
- Death, Corpses and Burial
- Race, Class and Discrimination
You can also visit the Visual Plague project blog for updates and news about the team's activities.
CRASSH Post-doctoral Research Associates
Dr. des. Lukas Engelmann (2014 – 2017)
Dr Nicholas Evans (2014 – 2017)
St Andrews' Post-doctoral Research Associates
Dr. Maurits Meerwijk (2018)
Dr. Abhijit Sarkar (2018)
CRASSH Samantha Peel
St Andrews Teresa Abaurrea
Sam Barzilay, Creative Director, United Photo Industries/Photoville Festival, New York, USA
John Henderson, Professor of Italian Renaissance History, Department of History, Classics and Archaeology, Birkbeck, University of London; Fellow, Wolfson College, University of Cambridge
Frédéric Keck, Director of the Department of Research and Education, Musée du Quai Branly, Paris; Chargé de Recherche, CNRS/ EHESS, Laboratoire d'Anthropologie Sociale.
David Napier, Professor of Medical Anthropology, Department of Social Anthropology, University College London, University of London