Architecture, ‘coming to terms with the past’ and the ‘world in common’: Post-war urban reconstruction in Belgrade and Sarajevo
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Authors
Badescu, Gruia
Advisors
Pullan, Wendy
Date
2018-11-24Awarding Institution
University of Cambridge
Author Affiliation
Department of Architecture
Qualification
Doctor of Philosophy (PhD)
Language
English
Type
Thesis
Metadata
Show full item recordCitation
Badescu, G. (2018). Architecture, ‘coming to terms with the past’ and the ‘world in common’: Post-war urban reconstruction in Belgrade and Sarajevo (Doctoral thesis). https://doi.org/10.17863/CAM.31766
Abstract
This dissertation discusses the rebuilding of cities after war in the context of the changing character of warfare and the increased expectations for societies to deal with difficult pasts. Departing from studies that approach post-war reconstruction focusing on the functional dimension of infrastructural repair and housing relief or on debates about architectural form, this dissertation examines reconstruction through the lens of the process of ‘coming to terms with the past’. It explores how understandings of victimhood and responsibility influence the rebuilding of urban space. Conversely, it argues that cities and architecture, through the meanings ascribed to them by various actors, play an important role in dealing with the past. Building on the moral philosophy of Theodor Adorno and Hannah Arendt, it discusses the potential of reconstruction for societies to work through the past, then it engages with frictions highlighted by three situations of rebuilding after different types of war. First, it examines the rebuilding of Belgrade as the capital of socialist Yugoslavia after the aerial bombings typical of the Second World War. Second, it analyses reconstruction debates in the same city after the 1999 NATO bombings, a high-tech operation, framed by NATO as a preventative, humanitarian intervention against a ‘perpetrator’ state. Third, it discusses rebuilding processes in Sarajevo, where destruction was inflicted between 1992 and 1995 by actors internal to the country, albeit with international ramifications, exemplary of Mary Kaldor’s ‘new wars’. Based on thirteen months of fieldwork conducted in Belgrade and Sarajevo between 2012 and 2015, it analyses intentions and consequences of reconstruction acts. It suggests the potential and the challenges of a reflective reconstruction, which engages critically with the past, and of a syncretic place-making reconstruction, which focuses on place and its agonistic promise. Its main contribution is to highlight the essential relationship between reconstruction and coming to terms with the past, arguing for an understanding of reconstruction with regards to conflict itself.
Keywords
post-war reconstruction, coming to terms with the past, dealing with the past, reconstruction, architects, Yugoslavia, Belgrade, Sarajevo, Bosnia, Serbia, moral philosophy, political emotions, responsibility, victimhood, nature of war, narratives of war, new wars, urbicide, urban conflict, place-making, reflective reconstruction
Sponsorship
The Jack Kent Cooke Graduate Scholarship
Embargo Lift Date
2024-01-01
Identifiers
This record's DOI: https://doi.org/10.17863/CAM.31766
Rights
Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)
Licence URL: https://creativecommons.org/licenses/by-nc-nd/4.0/
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