The Making of Bikini Glass in Bida, Nigeria: Ethnography, Chemical Composition, and Archaeology

Abstract

This paper discusses the process, prospects, and challenges of making bikini glass in Bida (Nupeland), central Nigeria. The Masagá glassmakers of Bida provide the ideal case study for investigating the production of bikini. Nineteenth-century Arab and European writings have described glassmaking in Nupeland; however, with the exception of the study carried out by Peter Robertshaw and his colleagues in 2009, there is no work that identifies the raw materials and formula used to produce bikini glass. Our recent ethnographic work at Bida provided the opportunities to collect raw glass, beads, and unfused raw material for bikini glass as well as vitrified furnace wall fragments for analysis. We present results of binocular observation and chemical compositional analysis conducted on the raw materials, glass products, and furnace remains to understand the mineralogical and chemical characteristics of various materials connected with the production of bikini. From the manufacture of glass to that of glass ornaments, bracelets, and beads, the documentation of the work of Masagá glassmakers provides new data for the history of glass and its techniques. This information is relevant for understanding glassworking in the past. The paper also addresses issues relating to migration, technology transfer, and culture contact between Nupeland and its neighbors in the Lower Niger region. It argues that the investigation of the production of bikini glass in Bida is essential for expanding our knowledge of the archaeology of glassmaking and glassworking in Sub-Saharan Africa and beyond.