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Shakespeare’s Statuary Women and the Indoor Theatre’s Discovery Space

Accepted version
Peer-reviewed

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Abstract

This article places three scenes by Shakespeare within a specific architectural history. It reads the statuary female bodies of Desdemona, Hermione, and Imogen as revered and desecrated objects within the niched spaces of the indoor theatre’s discovery space.

Description

Journal Title

Early Theatre

Conference Name

Journal ISSN

1206-9078
2293-7609

Volume Title

24

Publisher

Early Theatre

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Except where otherwised noted, this item's license is described as All Rights Reserved